What is significant about the Hallelujah Chorus from the Messiah?

Earnings from many early performances of the oratorio were used to help the poor, needy, orphaned, widowed, and sick. In 1910 the Tabernacle Choir made its first recordings, which included the “Hallelujah” chorus; this was most likely the first recording of Messiah music outside of England.

What instruments are in Hallelujah Chorus?

Instruments are: oboe, bassoon, trumpet I and II, timpani, violin I, violin II, viola, cello and harpsichord / organ. You also are hearing a CHORUS of voices. Remember, the Baroque orchestra was smaller than the orchestra of today. reflected in the music?

What are the textures of the Hallelujah Chorus quizlet?

It is mostly homophonic and for 5 bars in between (bars 69-74) switches to polyphonic. The homophonic texture draws out the lyrics and makes them clear and stand out. You just studied 25 terms!

How does Handel’s use of musical texture differ from Bach’s?

Handel excels in broad and majestic motives while Bach’s melodies are intensive. Bach uses very dense contrapuntal texture with complex and chromatic harmonies. Bach writes complicated instrumental lines and different but still complicated vocal line in his vocal music.

Is it proper to stand for the Hallelujah Chorus?

The Hallelujah Chorus is at the end of the second part. The king was supposedly at the performance and stood up during the Hallelujah Chorus. According to royal protocol, when the king or queen stands, everyone else must stand and remain standing until the monarch returns to his or her seat.

What period is Hallelujah Chorus?

Anecdotes of the day suggest that it became a particular favourite of King George II, who had been Handel’s patron in Hannover before becoming king of England. The oratorio’s “Hallelujah Chorus” occurs at the close of part two. Its instrumental support is unusually bold for the Baroque era.

What are the elements of hallelujah?

Texture

• contrapuntal and homophonic passages in And the Glory of the Lord.
• imitative texture in And the Glory of the Lord.
• homophonic texture in the Hallelujah Chorus.

What meter is Hallelujah Chorus?

by G. F. Handel (1685–1759)

Instrument(s): Voice (SATB), Orchestra: Strings (Violins, Viola, Cello, Bass), Oboes, Bassoons, Trumpet, Timpani	Style: Baroque
Opus: HWV 56, Meter: Allegro	Date of composition: 1741/Sep/06
Source: Unknown	Copyright: Public Domain

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Is Hallelujah Chorus melismatic?

Melismatic music is the opposite of music where each syllable has its own note. In the “Alleluia Chorus” from Handel’s Messiah each syllable of the word “Alleluya” has its own note. Handel uses the melisma to make it sound like someone shaking something. Melismas are used a lot in music from many different cultures.

What three textures do you hear in the Hallelujah Chorus?

The most famous piece in this oratorio, the Hallelujah chorus is an example of an anthem chorus. It combines both homophonic and polyphonic textures.

What was the message to the shepherds in there were Shepherd quizlet?

encouragement of vengeance and justice.

Which is true of arias quizlet?

What is true of recitatives? An aria is: and extended piece for a solo singer having more musical elaboration and a steadier pulse than recitative.

Which work is an example of an oratorio?

Handel’s famed ‘Hallelujah Chorus’ is from a larger work called ‘Messiah’. With choirs, solo singers, and orchestra, you might have thought this was an opera, but its religious topic and simple staging are the hallmarks of an oratorio. An oratorio is a dramatic musical work based on a religious theme.

What are the three main types of musical texture?

Western musical development has produced three principal types of musical texture’): – Monophonic texture, music with just one voice; – Polyphonic texture, music whose texture is formed by the interweaving of several melodic lines which lines are independent but sound together harmonically; and – Homophonic texture,

What are the main characteristics of Bach’s music?

What is special about his music? Bach’s style is baroque, characterised by lots of notes, simple motoric rhythms, and steady shifts of underlying harmony – it was derided by some as ‘sewing-machine music ‘.