How is the Chorus used in Lysistrata?

” Whenever there is action being displayed in the scene of a play, the chorus gives a description as to what is occurring in the form of a musical performance. This happens most often during passages where there is no dialogue. The lines uttered by the chorus “have something ‘to do with what is going on in the play.

Why did Lysistrata storm the Acropolis?

In Lysistrata, Athena is a shadowy but important presence. She symbolizes the wisdom that the Athenian men, in their greed and ambition, have forgotten. Under the control of the men, however, this mind has gone mad, and so the women under Lysistrata ‘s leadership storm the Acropolis to restore sanity, wisdom, and peace.

Why does the male Chorus carry pots of fire in Lysistrata?

The Chorus of Old Men makes its way toward the gates of the Akropolis. The males prepare their earthen pots of fire to smoke out the women who have already over-taken the Akropolis.

What do the old men do in Lysistrata?

The Old Men are content to be comforted and fussed over by the Old Women; thereupon the two Choruses merge, singing and dancing in unison. Peace talks commence and Lysistrata introduces the Spartan and Athenian delegates to a gorgeous young woman called Reconciliation.

Why is the Chorus split in two in Lysistrata?

The Chorus of Lysistrata is split into two, the Chorus of Men and the Chorus of Women. The two choruses, both old and fragile, are incredibly comic elements of the text. This dynamic between the male and female choruses also reveals the dependency between the domestic and political lives of the Athenian people.

What is the message of Lysistrata?

The main message in Lysistrata is that women proved that they are worthy of having power in a society. When all they were expected to do is have sex, and take of the family most women did not mind doing that. But with the bravery of some individuals like Lysistrata the role of women as being objects in society changed.

Is Lysistrata a tragedy?

Stage action in Lysistrata, by Professor Chris Carey. Though we (mostly) meet him on the page, he wrote with live theatre and a live (and demanding) audience in mind. This is true of tragedy as well as comedy. But Athenian comedy is in many ways a far more physical medium than tragedy.

Who seizes the Acropolis in Lysistrata?

Lysistrata has also made plans with the older women of Athens (the Chorus of Old Women) to seize the Akropolis later that day.

What kind of person is Lysistrata?

FIVE YOUNG WOMEN. Lysistrata, a strong Athenian woman with a great sense of individual responsibility, reveals her plan to take matters into her own hands and end the interminable Peloponnesian War between Athens and Sparta.

Is Lysistrata married?

Lysistrata is not married, is seemingly less susceptible to erotic desire than the other Athenian women, and wisely works for Peace by masterfully manipulating the men around her.

How is Lysistrata relevant today?

“Lysistrata” was written in the fifth century B.C., but Carlblom believes it is still relevant: “It’s actually uncanny how many similarities there are between the world of the play and our situation. War is war is war is war. Vaughan said the play contains adult content, including sexual innuendo.

Which woman does Lysistrata plea to from the opponent?

Lysistrata’s handmaid. Peace is the unclothed beauty of a woman whom Lysistrata displays and uses during her final plea for peace between Athens and Sparta.

Is Lysistrata a feminist?

Lysistrata was a female turned masculine to keep the other women, controlled by their insatiable vices, in order. While some of her passages may seem uniquely feminist, that does not constitute her as a feminist figure. In fact, the play is rampantly anti-feminist when its context is understood.

Who does Dionysus disguise himself as in frogs?

His disguise as a mortal priest of the Bacchae temporarily blurs, as the Asian Bacchants cower in awe and fear. Pentheus, however, fails to foresee the agony awaiting him; he does not connect the nature of the events to his actions, and continues to presume to “wage a war with god” (637).